Oh! Look at Me Now
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”[We rise.] What else can we do, we fucking rise.
Jon McGregor, from Even the Dogs (via the-final-sentence)
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August, 1980 American Cinematographer magazine interview with Steadicam inventor and operator Garrett Brown regarding his experience filming The Shining.
February, 1976. Producer Jan Harlan writes to Stanley Kubrick and speaks passionately about a new piece of technology so impressive that it could lead to “shots which would not enter your mind otherwise.” That invention was the now-ubiquitous Steadicam, and Harlan was right to be so impressed. Indeed, Kubrick shared his enthusiasm, so much so that the Steadicam was used extensively and to great effect in his next movie, The Shining — most notably the smooth tracking shots in the hotel’s corridors — and in every film of his that followed.
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Likes
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@suziparke and I had plenty of time to get home from Vegas on Sunday so we made a few pit stops....
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San Francisco bound and back to brunette.
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Some next level shit, tho. #pinballwizard (at Pinball Hall of Fame)
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Green machine
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Haley Ramm
